Design of Malay Houses

Design Concepts of Traditional Malay Houses:

The design and construction method of the Malay traditional houses have been influenced by:

1. Surrounding area
2. The climate
3. Myths and taboos
4. Lifestyle
5. Economic status of the owner
6. Blessing ritual

 1.         Surrounding Area

Being agricultural people, the Malay people started growing by the riverbanks or flat region of the land. Dwellings were built with the floor raised from the ground to avoid flooding and wild animals. This also provided free airflow from under the house for natural ventilation through the floorboards. Often smoldering coconut husks were placed under the house at dusk to keep the mosquitoes away.

2.         The Climate

Heavy rainfall also determines the nature of the roof construction. A roof is usually constructed at a pitch of 45 degrees and the use of knitted palm leaves with natural gloss retains minimal moisture after the rain.

3.         Myths & Taboos

The Malay culture was influenced initially by paganism and later by Islam brought to this part of the world by the Arab traders. The myths and taboos play an important part in the Malay culture which leads to the design layout of their dwelling. The respect of the different part of human anatomy is based on the physical hierarchy of the body such as the head is the most respectable part while the feet being the lowest is the least respected. It therefore considered rude to pat someone on the head or point at things with the toes. The sleeping pillow are also treated with great respect that they never to be used to sit on. It is therefore customary that the guests would be sitting on the floor with legs crossed in lotus position (for men) and folded for the women.

Architecturally, these customs are reflected by the way of the floor level of sleeping quarters (usually the main house) being slightly raised above the rest of the floor level. The levels of windows are designed to suit the eye level while in sitting position. Bon Ton’s Black Coral house demonstrates this very well.

The Islamic influence in the male and female segregation at social gatherings (kenduri) such as weddings, newborn celebration and funerals is reflected by the separate entrances for the male and female guests to the house. The “serambi” (main reception area) is meant for the men and women would occupy “ruang selasar” - the link to the kitchen. A perfect example of this concept is Bon Ton’s White Frangipani and Cahaya houses. Text (C) Bon Ton Resorts.